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If the play appeals to them, maybe they will want to catch a live performance too. If NCPA*s audiences will see a Cineplay within its cultural context, Maskara*s collaboration with the Inox chain makes a Cineplay available to audiences every weekend. Now think of all the great plays theatre lovers missed, or never even heard of, because technology was not as advanced as it is today. It is, admittedly, not as thrilling as watching a play on stage, but at least it preserves one performance forever.
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But on screen, the work can be seen by millions. Because theatre, unshackled from the constraints of recovering huge cinema budgets, can take up subjects that need to provoke and initiate thought.įilming a stage play with finesse also means that the reach and the life of the play is extended, otherwise, once a production closes, it exists only on the page or in the memories of those who performed it or those who watched it, which means a few thousand people. Positive signs: The theatre community turned up in large numbers and the shows were packed for the staging of a play Hela at Sitara studio in Dadarīut all versions of filmed theatre, whether NT Live, Cineplay, teleplays or DVDs of Marathi and Gujarati plays released after the production has completed its run, substitute the ephemeral nature of a live performance with a simple, direct communication of ideas that all great theatre is, our should be. Mahesh Dattani*s Dance Like A Man (directed by Lillete Dubey), for instance, has been turned into a feature film too (by Pamela Rooks), but watching it on screen in the Cineplay version is not the same as watching a movie, nor, obviously, is it meant to replace the experience of watching a play live. Unlike screenings of plays from London*s National Theatre, operas from the Met, or Ballet from the Bolshoi, Cineplay does not involve shooting a live performance, but filming a play in a studio, keeping the âtheatre* element of the work intact. Subodh Maskara launched Cineplay, with a filmed version of Dance Like A Man, to encouraging response.